Thursday, May 14, 2020

Analysis Of If Nobody Speaks Of Remarkable Things

Jon McGregor’s novel If Nobody Speaks of Remarkable Things follows the novel-in-a-day format and takes the reader through the day of a regular neighborhood in England. In Caroline Edwards’ â€Å"An Interview with Jon McGregor†, McGregor himself states that the neighborhood is based heavily on observations of small details or events, saying â€Å"This sense of observing†¦the idea of lives pivoting on single moments and lives being changed by passing remarks and stray comments and accidents and coincidences† (Edwards 220-221). While I agree with McGregor’s statement that lives can change in an instant because of a seemingly small detail, the more authentic connections that McGregor is making exist between the events of If Nobody Speaks of Remarkable†¦show more content†¦The reader will find it difficult to draw connections between these neighbors and themselves when they hardly even know many intimate details about the lives of these cha racters. However, this is because the reader is put into a position where they are viewing characters from an outside perspective in the same way that the neighbors view each other: with little information about their lives. This is backed up in Neal Alexander’s article, titled â€Å"Profoundly Ordinary: Jon McGregor and Everyday Life†, where Alexander comments on the anonymous nature of the neighborhood, stating â€Å"The calculated anonymity that results is clearly intended to make a point about the nature of contemporary urban life, where neighbors typically maintain a defensive reserve toward one another† (Alexander 729-730). The novel maintains a type of irony in that it must detach the reader from the story in order to connect them in the same way that the characters are connected. The other type of narration that McGregor uses is first-person narration. These sections are told three years in the future, she deals with the stressors of an unwanted pregnancy. 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